Showing posts with label Roots. Show all posts
Showing posts with label Roots. Show all posts

Saturday, 30 May 2015

Maggie Holland [Down To The Bone]

Here's a disc that's making it's first appearance in my Blog, in fact it's the first time i've ever played it, i saw it on Ebay for a fairly cheap price, listened to some samples, and was impressed enough to obtain it, it's a compilation album, some of her best known songs, i guess she's a Folk Artist, a bit like Joan Baez i guess, sparse instrumentation, i admit that it's only a first listen, so a really well informed opinion of her will take more listens, but i like what i hear already.

Maggie Holland is English, not sure how old she is, but i would guess she was born in the Fifties, so putting her roughly around sixty today, this album was recorded in 1991, in fact not a compilation album per se, but rather a re-recording of all her best music, the front cover photo [by Dave Peabody] is a beaut, a close up head shot, lots of out of focus, which works so well, most important is in focus eye, it has a gorgeous stream of side sunlight on the right, bringing wonderful highlights to the mainly in shadow face, and the somewhat haphazard lettering is excellent, and well placed too.

Of these 17 songs, the one's that caught my eye / ears the most were 2-3 & 14, and i would like to talk about each here,
2 Black Crow [2:37] - She plays banjo, and sings about social and political issues, this track is really sparse just Holland singing and playing her banjo, there's a degree of talk-singing, very much the style of old Folk, yes i like the banjo, and i like the middle instrumental refrain [1:26-1:43], it's well played, and well recorded, her voice is marvellously caught as well, even though she does do covers, this isn't the one by Joni Mitchell. 
3 Levi Stubbs Tears [3:40] - A Billy Bragg song, still sparse, some nice guitar work going on here, about a lonely woman, runs away from home, marries too young, gets injured by her husband, ends up alone, it's the 'ordinariness' of the everyday that really gets to me, most people sing about something profound, but this songs hits you with lyrics like 'she takes off the Four Tops tape, and puts it back in its case', huh?, really important stuff, especially since the previous verse she got shot by her Husband!, sounds like two guitars here, making a beautiful noise, i love the way the beginning chords start up again halfway through [2:16+], a glorious moment of repetition, incidentally Levi Stubbs was the lead singer of the Four Tops, still not exactly sure what his tears are though!.
14 Company Policy [3:14] - Banjo again, and with a gentle tapping percussion, it's a Martin Carthy song, sounds like a song about the Falklands War, and some girl's love died in battle, references Margaret Thatcher at the end too, a nice lilt to the song, twelve lovely verses, best lyric 'an empty shell pressed to my ear, the only sound is the sound of cash'.

This album makes me want to explore other Artists more, especially Billy Bragg.

Wednesday, 3 August 2011

Shannon Curfman [Loud Guitars Big Suspicions]

Back in 2001, i set in motion a new programme to discover new music, i would go into a big store record in London, and just systematically search through the racks, singling out discs that looked absolutely stunning, that was the only consideration, forget about the actual music!, i picked up some phenomenal discs this way, some real duds too!, but it widened my musical love no end, i got into some genres / Artists that i wouldn't have otherwise tried, this is one of the first i got, and i'm so glad i did, and looking at her website, it reminds me to check out her other albums also.

Shannon Curfman is American, born in 1985, she's was 26 last week, she recorded this album in 1999 at the tender age of 14!, but her songwriting and vocal skills are such that she sounds like a Blues veteran!, like i said above, the visuals for this release are stunning, both the booklet and the back insert are lighted wonderfully, great poses too, a really great product all round.

I enjoyed tracks 2, 4 & 6-8, but it's always been track 2 'No Riders' which remains my favourite track, the intro sounds like an electric mandolin [Kevin Bowe], but it could be Shannon Curfman playing the guitar, this riff really makes the whole piece [0:00-0:10], very old time delta bluesy, when the chorus bursts in [0:43+] so do the drums, a nice ratcheting up of another notch, the vocals and drums [Michael Bland] fit together perfectly, the second verse is fantastic, things quiet down with the acoustic mandolin playing solo [1:46+], and the start of the verse is sparse and restrained [1:50+], but the drums and harmonica [Pat Hayes] burst in [1:58+], making a superb transition, it's a fantastic Blues track, really developing a great intensity.

Here's Shannon Curfman singing 'Playing With Fire' on YouTube.

Friday, 29 July 2011

Lucinda Williams [Car Wheels On A Gravel Road]

Just lately i've had a rash of female singer songwriters in my Blog, what with Shawn Colvin and Kathryn Williams recently, and Nanci Griffith mid month too, i played this disc 16 months ago and reported my feelings in my Blog [26th March 2010], and here it is again, i actually played this over the park as i watched the sun go down, it's a very 'twangy' album in many ways, Williams is great with off the cuff stories and ideas, even the picture's very down to earth.

Lucinda Williams is now 58, yes the big 60 looms, and it seems hard to fathom she's old enough to be Grandmother material, she was born in Louisiana USA, and she recorded this album in 1998, the front cover is really appropriate, a self-built wooden house down a dirt road [photo by Birney Imes].

Most of these tracks i really enjoyed, but tracks 3, 7 & 9 are the highlights on the album, showing Lucinda Williams at her songcraft best, here's a synopsis of each,
3 2 Kool 2 Be 4 Gotten - my favourite track of the album, starting with a solo martial snare drum beat intro [0:00-0:10], a really excellent way to start a track [drums by Donald Lindley], and Gurf Morlix's twangy electric guitar comes in and completes the intro [0:10-0:25], and it's these two that create a real groove throughout that makes the track, Williams is very idiomatic in her wording, each of the three verses starts off restrained, but ends up more emotional, or maybe it's just the little stories she spins, i like the lyrics at the start of the second verse, 'man running through the grass outside, says he wants to take up serpents', you have to comprehend the 'bible south' to fully get that, the start of the third verse is especially restrained, with Gurf Morlix restraining the use of his guitar, so it's more Williams and the snare drum in duet [3:08+], plus the extra snare drum solo just before that, a fantastic track.
7 Can't Let Go - the dobro intro is excellent [Williams i believe], and with a couple of slide guitars in there, it's very bluesy, a Randy Weeks song, love the lyrics 'feel like i been shot didn't fall down',
9 Metal Firecracker

Tuesday, 25 May 2010

Iris Dement [My Life]

This album was a purchase from Our Price back in 1994, who were doing a promotion called 'No Risk Disc', buy the disc, and if you didn't like it, you could return it and get your money back, well i never returned it, a winner for Our Price, and a winner for me.

At first i would pigeonhole her as Country music, but on closer inspection i feel she's American Folk, or more towards old Gospel, you know you're onto a winner when you just can't slot someone into a neat category, she'll hit the big 50 early next year.

The disc can seem depressing in a way, about death, love lost, sinning, boredom, tragedy, a life that adds up to nothing, but between the lines there's a stoic energy, that life can teach you great lessons, personally i find this album tremendously heartwarming and positive, it doesn't pretend life is a fairy tale.

On this listen, the middle track 4-6 are impressive, and it's track 6, an old Gospel song called 'Troublesome Waters' that really hits the mark, i guess it's a hymn, and one of only two tracks on the album not written by Dement, it's nice and gentle, but each verse gains in intensity and Dement's drawl starts to crack, the third verse is meaningful,

When troublesome waters are rollin' so high
I lift up my voice and to heaven i cry
Lord i am trustin', give guidance to me
and steady my boat on life's troubled sea

punctuated by dobro and piano etc, the song weaves a lovely magic.

Here's John Robert Mallernee singing Troublesome Waters on YouTube, he sings in a different key, plus he's got a good voice, he intro-talks for the first minute.

Friday, 26 March 2010

Lucinda Williams [Car Wheels On A Gravel Road]

As the picture shows, this is one of those dirt road albums, full of American roots music, the booklet cover is just right for the music, a cheaply built wooden house built down a dirt road, i've been in a self-built house like this in Maine, no electricity or running water!, what an adventure that was.

Lucinda Williams is now 57!, isn't anyone getting younger anymore? ha ha, this is really her breakthrough album, necessarily about the major things in life like love, death, friendship etc, but more about incidental things like tattoos, screen doors, taking up serpents, graffiti, barbed wire etc, it's amazing how Williams can paint these pictures of real life, with real issues, the drab really is exciting!, those singers who talk of the big things, like 'everyone hold hands' and world peace, end up being so superficially about nothing.

Well the track i enjoyed the most is track 9 'Metal Firecracker', the lead guitar of Gulf morlix really makes this track, it has a slight National Guitar resonance about it, also he sings harmony on the chorus, 'All i ask' is so powerful, and Lucinda Williams' emphasis on certain words, really makes it sound like she means what she singing about,

'Once you held me so tight
i thought i'd lose my mind
you said i rocked your world
you said it was for all time
you said that i would always be your girl'

i just sense a real emphasis on lose, like it's said with a little craziness [like she's lost her mind!], it's stuff like this which makes the album, she's not just a Singer, and a Poetess, but she's an Actress too!, plus if i might add my own take on it, 'fire' means on fire with love, and 'cracker' means crackers or going crazy, and even 'metal' is ZZ Top turned up real loud, she's on fire with love and going crazy with love.

Here's a group fronted by Lori Behrman singing Metal Firecracker on YouTube.